CHAIR
Humans spend a
great deal of time sitting down, whether working in an office, studying in a
library, commuting by bus, car, or airplane, or eating in a restaurant. Some
seats are far more comfortable than others. --Barry H.
Kantowitz and Robert D. Sorkin (Human Factors, 1983)
I quit
following straight lines and work with the natural lines that are there.
--Warren Schulze (Taggart 2001:B3; see below, Woodworking
impressionist)
Consumer
product. 1. A piece of furniture with a
horizontal seat, quadrupedal legs, an upright back, and horizontal arms, usually
designed to be occupied by a single person. 2. Homo sapiens's most
diversely styled furniture item.
Usage: Office workers spend the majority of their working days seated in ergonomic swivel chairs. "Office seating has been extensively studied" (Kantowitz and Sorkin 1983:480).
Word origin. The word chair comes from Greek kathedra,
"seat," from the 7,000 year old Indo-European root, sed-, "to
sit."
Anatomy. "The main weight of the body should be carried by
the bony protuberances of the buttocks, more technically known as the ischial
tuberosities" (Kantowitz and Sorkin 1983:478).
Animals. The legs of ancient Egyptian and Greek chairs were often carved to mimic the legs and feet of beasts. The legs of ancient Assyrian backless chairs were carved to depict lion claws or the hooves of bulls.
History. ". . . this familiar piece of furniture was not common
anywhere in the world until just 300 years ago!" (Manchester 1982:69). Before
the widespread use of chairs, people sat on benches, logs, mats, stools, and
storage chests. The earliest chairs served as symbols for high-status
aristocrats, clan elders, religious leaders, and royalty. Today, the leader of a
group seated around a conference table is called "the
chair."
Psychology. Asking someone to "please sit down" reduces an
opponent's standing height, and thus diminishes effects of the high-stand display. Sitting in a slightly higher chair
confers a subtle yet powerful psychological advantage in bargaining and
negotiations. Through the nonverbal principle of isopraxism a chair suggests sitting down, because it,
itself, appears to be seated.
Rocking chair. The soothing effect
of rocking in a chair is due to the vestibular sense (see BALANCE
CUE).
Symbolism. More than any other type of furniture,
chairs have been elaborately carved, ornamented, and bedecked with symbols of
heraldry, power, and wealth. They have become the everyday totems of status and
rank.
Woodworking impressionist. 1. "'I had a need to
create things with my hands,' Warren [Schulze, former attorney, now chair
designer in Rathdrum, Idaho], 41, says, believing forces out of his control
pulled him from the mainstream. 'I had to take something from natural materials
and create something'" (Taggart 2001:B3). 2. Schulze makes chairs with
natural branches and twigs (see BRANCH
SUBSTITUTE). "The backs of his chairs reach toward the ceiling like arms
stretching for an escaping balloon. His table legs bend with the natural grace
of windblown branches. His benches grip the floor with duck-like feet" (Taggart
2001:B3).
Toilet seating.
"The Posture Mold seat designed by architect Alexander Kira is contoured and
provides proper support for the thighs. This seat was selected for the design
study collection of the Museum of Modern Art showing
that good human factors can be esthetically as well as functionally attractive"
(Kantowitz and Sorkin 1983:482).
Trees. "Until the middle of the
17th century, the majority of chairs in all European countries were
made of oak, without upholstery or other cushioning" (Manchester
1982:72).
Vehicular seating I. "Layout of most vehicle cabs begins
from a theoretical design eye point. This is an imaginary point in space from
which lines of sight are calculated" (Kantowitz and Sorkin
1983:483).
Vehicular seating II. "Anthropometric data also can
determine side-by-side seat spacing, that is, how many seats will fit in each
row. The crucial dimension is called shoulder breadth. If your shoulders fit, so
will your hips" [however, this '. . . does not guarantee you will have much room
to move your elbows.'] (Kantowitz and Sorkin 1983:487).
YouTube Video: A Chair for All Reasons
Copyright 1998 - 2016 (David B. Givens/Center for
Nonverbal Studies)
News photo of U.S. Democratic presidential candidates Hillary Clinton and Barack Obama at a debate in 2008; their angular distance bespeaks the acknowledged disliking they felt as the campaign dragged on (picture credit: unknown).